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This is the Second Edition (Revised & Enlarged) of a work that was originally published in 1974 (144 pages, cloth) and sold over 26,000 copies in the US alone. It was translated into French, German and Italian, and was also made into a movie, THE PERILS OF GWENDOLINE (1984, directed by Just Jaeckin).
This revised edition was published on December 9, 1999, the birthday of `John Willie`, as well as the twenty-fifth anniversary of the publication of the first edition. It contains 368 pages, which includes a wealth of previously unpublished and uncollected work by the artist. Also included in this expanded edition are 36 black and white reproductions of drawings and paintings (circa 1935-50), most from original artwork and all but 2 have never been published before. Along with the black and white illustrations are an equal number of full-color pages many of which are previously unpublished. The biographical introduction has been expanded to include much new information about J.W. - including 4 previously unpublished photographs of the artist!
- Sales Rank: #178998 in Books
- Published on: 1999
- Number of items: 1
- Dimensions: 1.40" h x 8.66" w x 11.14" l,
- Binding: Hardcover
- 368 pages
Most helpful customer reviews
0 of 0 people found the following review helpful.
Beautiful, lovingly rendered 1940's 'R' rated B&D artwork.
By Geoff
I originally had the 1974 version of this book, but lost it years ago. I am glad I bought a new copy.
Some of the work in the back of the book -is- duplicated from the front. (the first being the original 46 page "Sweet Gwendoline" and the reprinting in the back being the finally completed "Sweet Gwendoline and the Race for the Gold Cup", containing the missing final 4 pages)
This hefty book contains much (if not quite all) of John Willie's art, but is does contain ALL he ever drew of Sweet Gwendoline, including the two versions of the "Gold Cup" listed above, and Gwendoline & U89's subsequent adventures: The 16 page "Escape Artist"; and the amazing 44 page black & white water-colored "The Missing Princess", which I consider the greatest example ever of his work.
There are also several incomplete series (with the last few pages pencil drafts) of the 16 page "The Wasp Women" (with Gwendoline), and the 40 page "The Golden Idol" (with just Sir d'Arcy & the Countess)
The book also has a very comprehensive history of John Willy himself, examples of his work for other magazines (including 10 episodes of his ongoing 2-page humorous series "The Diary of a French Maid", a delightful reprinting of 2 letters Willy wrote to a friend on the proper ways to bind and gag a woman (with 26 mini-illustrations) and finally: 68 full page drawings, illustrations and color plats of his best work.
368 pages of soft-core bondage illustrations from the heyday of Klaw, Willie, Stanton & Bilbrew!
(and note: the only connection between John Willie's Sweet Gwendoline and the horrible movie "The Perils of Gwendoline in the Land of the Yik-Yak" is her name, and the fact that women get tied up some of the time!)
35 of 36 people found the following review helpful.
A beautiful, beautiful volume
By Michael Callaghan
If you have the Taschen reprints of the collected Bizarre magazines and are wondering about this book - as I was - don't worry. This book is almost all different material, a good portion of it previously unpublished, and the quality of the edition is high enough to make it a keepsake in anyone's library. John Willie was, without equivocation, the master of genteel fetish art, technically beautiful illustrations of gorgeous women simultaneously in formal attire and bondage. If it sounds quirky, it is, and it is that quirkiness married to Willie's technical prowess and self-restraint which makes this collection as intriguing - and engaging - as it is. There is no sex here, and no full nudity. If you've never seen this work, imagine a Vargas or Elvgren print but with the pretty girl not smiling, but bound somehow or being costumed and you begin to get an idea of what John Willie was doing with his illustrative life.
BUT - just imagining these images does them no justice. Willie never used any 'dirty' words, and his characters are styled after 1930's and '40 serial digest types, even as his work moved into the 1960's. The overall effect is that of a fully conceived world, a complete universe of Willie's - and ours, as the readers - shared neurosis, of our fully realized but morally checked 'fun and nonsense' (Willie's words, not mine).
I am enamoured of this work. It is aesthectically beautiful, it is emotionally engaging, it is affectionate and ironic all at the same time. Where Bizarre magazine left off this volume continues, and where Bizarre is a rememberance this volume is better described as a tribute.
And a more fitting tribute could not be produced. This is an oversized hardcover, cloth bound and with a cloth bookmark - the binding and cover are both very well made, obviously a labor of publishing love. The paper stock is very thick (unlike the Taschen Bizarre collection) and acid-free. The cover of this book is stunning, and even from the spine a beautiful illustration of Gwendoline is visible when the volume is shelved. This is a bibliophile's book, something we see less and less of these days, whose physical presentation was designed to compiliment its content.
Included are also some sketches and unfinished work, and it is always fun to see an artist we admire in their off-the-cuff moments, forming ideas or simply riffing without worrying about an audience. A brief - the best I've read - biography is included, as well as several photographs of the artist himself. There are several full color plates as well, watercolors of Willie taken from private collections.
A beautiful, absolutely beautiful volume. Of the many books I buy and sell and trade, this will stay in my library forever. I can offer no higher recommendation.
0 of 0 people found the following review helpful.
Great book and the photos are erotic yet tasteful.
By Leonard Cascia
Great book on the author, his life and the art work is great. I found the photos erotic yet tasteful.
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